Eric dolphy - out there
- •
Eric Dolphy Discography
Full version
The discography is now accessible in several parts:- Introduction including indices
- 19 January 1949 - 20 May 1959
- 1960 up to 11 November
- November 1960 - 9 August 1961
- 30 August 1961 - 10 February 1962
- 16 February 1962 - 2 May 1963
- May 1963 - June 1964
- Postscript and Filmography
Peter Roberts' version of the discography isavailable on his own site now. This version is relatively plain but is in the standard form, useful for research.
Here's a nice shot of Dolphy drawn by Peter'sbrother.
Acknowledgements
The following attempt at a complete discography is for the purpose of keepingtrack of what I have and do not have as far as Eric's recordings. I thinkit is appropriate for other people who feel similarly to use it, and amglad to distribute it. Everybody should note that this listing is basedalmost entirely on Eric Dolphy: a musical biography and discography,Vladimir Simosko and Barry Tepperman, Smithsonian Institution Press, Washington,1974. I refer to this work below as "S&T" for short, or simplysay Simosko to in- •
Remembering Dolphy
The Music of Eric Dolphy
Joel Futterman - Solo Piano
Joel Futterman, 2010
Solo piano explorations of the music of Eric Dolphy.
Each track is a complete unedited first take.
Total time 70 minutes
$15.00 + S&H
Joel Futterman: Solo Piano
Remembering Dolphy JDF 7
1. Potsa Lotsa
2. Les
3. Out to Dinner part one
4. In The Blues
5. Serene
6. Miss Ann
7. Fire Waltz
8. 17 West
9. Out to Dinner part two
Recorded October 2010
Design, Photos, and Oil Pastel: Michael Wilderman/jazzvisionsphotos.com
…this is as good a recording (and recoding) of jazz piano playing as you might hope to hear this year, alive to so much of the tradition. American jazz musician (1928–1964) Musical artist Eric Allan Dolphy Jr. (June 20, 1928 – June 29, 1964) was an American jazz multi-instrumentalist, composer, and bandleader. Primarily an alto saxophonist, bass clarinetist, and flautist,[1] Dolphy was one of several multi-instrumentalists to gain prominence during the same era. His use of the bass clarinet helped to establish the unconventional instrument within jazz.[2][3] Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists.[4][3] His improvisational style was characterized by the use of wide intervals, in addition to employing an array of extended techniques to emulate the sounds of human voices and animals.[5][6][7] He used melodic lines that were "angular, zigzagging from interval to interval, taking hairpin turns at unexpected junctures, making dramatic leaps from the lower to the upper register."[6] Although Dolphy's work is sometimes classifi
He’s a fine pianist, a luminous free player who can weave densely rhythmic improvisations that can even suggest a third hand, developing multiple motifs simultaneously.
Futterman freights the elegant slow blues of “Serene” (as elegant as “Mood Indigo” or “Goodbye Pork Pie Hat”) with touches of the deepest tradition—piano blues as deep as Jelly Roll, Leroy Carr, •
Eric Dolphy
Copyright ©icythaw.pages.dev 2025