Kadar brock biography

Kadar Brock

Kadar Brock (born May 28, 1980) [1] is an American artist living and working in Brooklyn, New York. He received his BFA from Cooper Union School of Art in New York City in 2002. His abstract paintings explore history, personal psychology, materials and surface.

Artwork

Brock creates paintings through a repeated system of painting, sanding, priming and scraping on the surfaces of canvases.[2] A canvas is "painted on, dried, un-stretched, scraped with a razor blade, primed over, sanded, re-stretched, and painted on again."[3]

This labor-intensive processes maps the artwork's history of production. He repeats these processes until the layers of paint "stop functioning as pictures and evolve into a historical object."[4]

American artist

Reviews and reception

Marina Cashdan, in Artsy wrote: "His studio is an ecosystem—and an efficient one—in which the artist’s methodical and ritualistic process makes for a consistent upcycling of materials across the space: when he spray-paints, he uses a canvas as the dro

Kadar Brock

American contemporary artist Kadar Brock is known for his large-scale abstract paintings. Created by the laborious process of layering, his work is highly textured, discordant, and topographical in nature. The artist uses several techniques, including paintings, priming, scraping, sanding, and once again painting. Merging elements of Abstract Expressionism and graffiti he produces compositions that capture the eye. The unique style has ensured that Brock’s auction is always sold out. His works have been exhibited in a number of public institutions all over the world, including Thierry Goldberg, NYC; Brand New Gallery, Milan; Gallery Diet, Miami; Horton Gallery, Berlin; Vigo Gallery, London; Sperone Westwater, NYC; Saamlung, Hong Kong and Praz-Delavallade, Paris.

Emotional Layering

Kadar Brock (born in 1980), has graduated from Cooper Union School of Art in New York City with a BFA. Throughout his career, he has put the ritual at the heart of his artistic practice. As a multitasker, he often is working on several paintings at the same time. The artist dra

Kadar Brock

Kadar Brock’s artistic practice is a collection of records of performative acts of erasure and self reflective edits, consciously undoing that of which is just as consciously done through a system of laborious processes. Through a repeated system of painting, sanding, priming and scraping, Brock’s paintings are a result of a compilation of multiple compositions stacked on top of each other then merged through the act of eradication. What results through the process is an abstraction which subtly gestures at the information beneath. A series of ruptures and tears on the surfaces of the canvas, resulting from the physical strain the work goes through, co exists with the various exposed layers of paint. This survey of artifacts, tracing of Brock’s decisions towards the making or erasing of a mark, are an ongoing dance of informational accretion. The resulting data is one which informs and reveals through absence. An absence which allows for a space that embraces failure as part of a creative process and serves as platform for the consideration of that which withers away

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