Cristobal rojas biography

Cristóbal de Rojas

Cristóbal de Rojas

Born1555

Baeza

Died1614

Cadiz

NationalitySpanish
Occupation(s)Architect and Military Engineer
Known forFortifications of Cadiz

Cristóbal de Rojas (1555 in Baeza – 1614 in Cadiz) was a Spanish military engineer and architect. He is known for working as an assistant to Juan de Herrera in the construction of the monastery of El Escorial.

Biography

Cristóbal de Rojas was born in Baeza in 1555. He was in Seville in 1586, where he acquired a considerable reputation as an architect. His best known work in this city is the Tabernacle Church, which he designed. The project was later begun by Alonso de Vandelvira and Miguel de Zumárraga in the year 1615, and construction was done between 1618 and 1662, while basically following the originally approved plan.[citation needed]

Rojas became a pupil of the king's engineer Tibúrcio Spannocchi, and became especially interested in military architecture. In 1586 he helped to review the fortifications of Gibraltar and Cadiz. Aft

Cristóbal Rojas Poleo
A childhood introduction to death leads to success, at a price

Young Cristóbal met death in 1870, when it came to take his father. Life started ok for Cristóbal Rojas Poleo. His parents worked in medicine in Cúa in northern Venezuela, and his grandfather tutored him in drawing. Cristóbal was 12 when his father died, and though he started work in a tobacco factory to support his family, Cristóbal still painted and was even able to take occasional classes in oil painting at Universidad Central de Venezuela.

The Exposition of 1883

Venezuela was experiencing a renaissance in the wake of its new independence. Guzman Blanco, who served three terms as president while Cristóbal was living in Caracas, was remaking the city into a “Petit Paris”, complete with classical architecture and a cultural obsession with hero paintings. In 1883, Blanco threw a centennial gala for the anniversary of the birth of Simon Bolivar, the famous “El Libertador” of Venezuela. For the event, every artist in Venezuela was invited to participate in the first national art exhibition.

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Venezuelan artist Cristóbal Rojas was born in Cúa in the Valles de Tuy, a town that was war-torn throughout his early childhood. His grandfather, José Luis Rojas, taught the child how to draw, but when Cristóbal was 13, his father died, and he began work in a tobacco factory to help support his family. In 1878, an earthquake destroyed much of the Valles del Tuy region, and Rojas moved to Caracas, where he continued his artistic development under José Manuel Maucó at the Universidad Central de Venezuela. From 1880 through 1882, Rojas developed an interest in oil painting, and he captured memories of the impact of the 1878 earthquake in some of his early paintings. In Caracas, he also served as the assistant to the now comparably well-known artist Antonio Herrera Toro and worked with him on painting the interior of the Caracas Cathedral.

In 1883, Cristóbal Rojas exhibited one of his signature works, La muerte de Girardot en Bárbula (The death of Girardot in Bárbula), featured as this month’s cover image. He entered this painting into competition in the Sal

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